FAQ K-Jet

 

 

Inkjet printing is a non-impact printing process in which text and images are formed by the precise placement of really small (picoliter-sized) droplets of ink fired at high speeds from the nozzle of computer-controlled printheads. Droplets of cyan, magenta, yellow and black inks are combined to form precisely placed dots of various colors, which when viewed from a distance, composes an image.

A picoliter is a millionth of a millionth of a liter. Depending on the resolution of the printer, inkjet drop sizes range from 3 or 4 picoliters to more than 25 picoliters.

Although both types of printers operate on the same basic principles, it's the width and variety of the media used in wide-format inkjet printers that create headaches. Media expansion, surface tension, and ink absorption are more complex on a larger piece of media. If the media stretches slightly or if the paper doesn't advance properly, causing noticeable blemishes in the output. Users of desktop printers also aren't likely to change media as frequently; they don't expect to be able to achieve equivalent levels of image quality and color reproductions on bond paper, backlit film, canvas, silk, and vinyl. Desktop inkjet printers also have an advantage in setting up files to print. The typical small-format job adheres to time-honor size and orientation formats, whereas users of large-format inkjet printers struggle with tiling problems on oversized jobs and nesting issues on smaller-format jobs. In addition, most desktop-publishing-application software is designed for traditional 8.5x11 inch jobs and offset-printing ink standards. Users of wide-format inkjet printers typically have to work around these biases in application software.

When digital printing was in its infancy (i.e., 5 to 10 years ago), the term plotter was widely used to describe either a wide-format inkjet printer or a computer-controlled contour cutter. These days, the term plotter is more commonly used to refer only to cutting devices. (But beware! In some circles, the terms plotter and printer are still often used interchangeably.)

A piezo inkjet printer uses one of two major types of printheads: drop-on demand or continuous flow.

Drop-on-demand systems are those in which an electrically stimulated crystal changes shape, creating pressure on the ink chamber and forcing ink through the nozzles. Drop-on-demand printheads are made in Japan by Epson, in England by XAAR and U.S.A by Spectra and are incorporated in wide-format inkjet printers.. Continuous-flow inkjets use an electrical charge to deflect a continuous flow of ink. Different types of continuous-flow piezo inkjet systems are used.

One of the benefits of piezo inkjet printheads in that they can be engineered for use with either water-based inks or inks in which the colorants are suspended in a solvent such as oil, naphtha-alcohol, acetone, or a chemical called MEK (methyl ethyl ketone).

No. A printhead is the component from which the ink is fired and is just one element of the print engine, which also includes the mechanics and firmware to control the movement and operation of the printhead acrross the media. When a printer manufacturer buys a printhead from Epson, Lexmark, HP, or other manufacturer, the printer manufacturer is given a certain amount of leeway to design firmware to control operating parameters such as firing rate and print modes.

Ink is an integral part of an inkjet-printing "system" because the ink chemistry must have the viscosity and surface tension necessary to flow easily and reliably through the printerhead nozzles, but dry quickly enough for the paper to be advanced onto a take-up reel without smudging. Thermal inkjet manufacturers Encad, HP, and ColorSpan offer users a choice of at least two different types of inks engineered to work with their particular printheads.
Theoretically, piezo inkjet printers can handle a wider variety of inks. But most piezo inkjet printers on the market have been designed with the expectation that users will buy a printer for a specific range of applications, then stick with a single inkset for those applications. For example, Raster Graphics Arizona Digital Screen Press was designed to use 3M Scotchcal Piezo Inkjet Series 3700 solvent-based inks.

Ink is comprised of a base carrier (water or solvent), a colorant (a dye or a pigment), and small amounts of chemical additives to provide desired characteristics. Most entry-level wide-format inkjet printers use water-based inks, which are comprised primarily of distilled water, a benign solvent known as glycerin, dyes, or pigments and small amounts of UV inhibitors, drying agents, or other chemicals.

Water-based dye inks are known for their exceptional color gamut and quick fading. A new breed of enduring-dye inks is extending the life span of prints created with dye-based inks, but these inks produce a smaller range of colors.

Water-based pigmented inks are known for their high resistance to fading and typically produce less vivid colors than dye inks. Like pulp in orange juice, pigment particle can beanywhere from 50 to 500 times larger than the molecules in dyes, which are more like granules in Kool-Aid. Because the pigment particles remain suspended in the water or solvent, thery can clog the nozzles of some printheads.

Solvent-based pigmented inks combine fade-resistance with the ability to print directly on standard materials used for screen printing. But the use of solvents raises some environmental and in-shop health issues that many digital-only shops may prefer to avoid.

The bottom line: There is no perfect ink. It all depends on your application.

It depends. If you are doing museum-quality fine art, just a few prints a day, or ganged-up jobs that will be cut into smaller, handheld prints, resolution will probably be more important than speed. If you're doing posters that will only hang for a day or two, a high volume of prints each day, or larger banners that will be viewed from a distance, speed may be a more important than resolution. Throughput speed can also be important if you find yourself having to reprint jobs that were botched in finishing department or if color isn't managed properly.

Most printers today offer a choice of print modes in which you can sacrifice higher resolution for faster speed. Creating higher-resolution images (e.g., 1440 x 1440 dpi) can be a painstakingly slow process because the printhead must traverse back and forth across the same swath of media several times, with the media advancing at ultra-itsy-bitsy steps. On all printers, various print modes may involve one-pass, two-pass, or four-pass operation, with different nozzles firing during each pass to prevent the appearance
of streaks due to misfiring jets.

When printer manufacturers claim their printers can print 600-dpi images and have speeds of up to 90 sq ft/hr, be aware that the up to speed is typically for a lower resolution image. If you expect to always print in the best-quality mode, be sure to ask what the throughput speeds is in that print mode. Also note that RIP software can boost throughput speeds and offer additional print modes. Conversely, choosing a printer on throughput speeds alone is relatively futile if your RIP and workstation take hours to process jobs for output.

The true resolution of inkjet printers is measured in dots per inch (dpi). A 600-dpi printer means that each dot is 1/600th of an inch in size, placed in a 600-space/in. x 600-space/in. grid. A 300 dpi printer, means that each dot is 1/300th of an inch in size, placed in a grid with 300 x 300 spaces/sq in.

An addressable resolution of 600 dpi means that dots larger than 1/600th of an inch (e.g., 1/300th of an inch) are placed in a 600 dots per inch grid. Apparent resolution isn't a mathematical measurement, but rather describes how images are perceived by the human eye.

But there's much more to image quality than resolution. In theory, smaller dot sizes will produce finer details, sharper text, and smoother curves. But if the dot's aren't shaped properly or placed precisely where they need to be, resolution really doesn't matter. In actuality, some 300 dpi printers are capable of
producing output that looks better than images output at 1440 dpi. You will have to look and judge for yourself. Welcome to the graphic arts!

Even though many industry professionals use the terms dpi (dots per inch) and ppi (pixels per inch) interchangeably, they shouldn't. Dots and pixels are not the same thing: dpi is a measurement of printed dots per inch on a paper; ppi refers to the picture elements (pixels) gathered by a scanner or viewable on a screen. There is no one-to-one correlation between the resolution of digital data (600 ppi) and the resolution of a printed image (600 dpi).

Expanded-gamut printing refers to any more-than-four-color process that expands the range of colors that can be reproduced compared to CMYK inks. In a hi-fi scenario, lighter densities of cyans and magenta are added to the CMYK inkset. As explained above, the lighter cyans and magentas help provide smoother blends and gradations between colors and between fleshtones. Hexachrome is a six-color process invented by Pantone (an ink manufacturer) that adds approved orange and greens inks to the CMYK primaries. Adding orange and green expands the range of Pantone Matching System (PMS) colors that can be reproduced on a printer.

K stands for key. It was traditionally the reference color used to register the other process colors in printing. In inkjet printing, the proper use of black is still fundamentally important to getting good color reproduction. Black is used to reproduce text and line art, neutralize the contamination of CMY inks, add density, and reduce total ink consumption in wide-format inkjet printing. Many of these black-generation functions are controlled by RIP software for wide-format inkjet printers.

From the description above, you'd think that inkjet printers are incredibly compex machines. But in reality, they are relatively dumb - just waiting for instructions on what to do. Most of the functionality of an inkjet printer is determined by the RIP (raster-image processor) software or print controller. The RIP takes an ordinary data file, sets it for the appropriate output size, and then tells the printer exactly where to place the droplets of ink on the paper.
There are dozens of RIPs on the market because RIPs also provide some of the functionality needed to customize inkjet printers for specific applications. For example, Wasatch PosterMaker, Onyx PosterShop, Scanvec-Amiable's Poster PRINT and AccuPrint, and 3M Cactus RIP's are designed primarily for print-for-pay production environments. Certain Agfa RIPs or the new BEST Color RIP provide functions that enable wide-format inkjet printers to be used for imposition proofing or contract color proofs. Many RIPs geared specifically for the sign market have sophisticated design and layout programs that avoid the need to use Photoshop or QuarkXpress. Other RIPs enable wide-format inkjet printers to be networked with color copiers or film recorders.

In commercial offset printing, printers use cyan, magenta, yellow, and black inks manufactured with Standard Web Offset Printing (SWOP) standards. In wide format inkjet printing, the magenta ink produced by one manufacturer can vary significantly from the magenta ink produced by other manufacturers. And how the ink ultimately appears on the print depends on the certain brightness, absorption, and reflectance characteristics of the substrate and it's inkjet-receptive coating. In order to provide proper instructions to the print engine in terms of how much ink to lay down per pass, your RIP software needs data about the color properties of your inks and your media. Color profiles (ICC and others) provide this information.

Calibrating your printer is a way to make sure that the colors you get from your printer today will closely resemble the colors you got from your printer two weeks ago. It's a way of tweaking all of those variables that contribute to the way colors are reproduced. For instance, the performance of your inkjet printer can be affected by in-shop humidity or ageing printheads. Calibration routines help accommodate for these variables, so your printer continues to produce colors that are consistent from one week to the next.
Calibration is often part of the printer's firmware or included in the RIP software.

 

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